Make A Lang

This is kind of a special post, cuz I realized it is my 25th post, so I wanted to digress a bit and post about conlangers, not conlanging, just for fun. This post is a little bit self-serving, but I won't do this often, I promise. Conlanging is something I do that I can honestly say I have no good reason for doing. It would make more sense for me to learn a third language than to make one up, wouldn't it? There are other hobbies I have that are kind of pointless, but have at least some merit to them. For example, I like to study and practice medieval sword fighting and martial arts. Now, sword fighting is not exactly a crucial skill to master, but I started it and have kept at it because 1) it helps keep me in good shape 2) I learn some history as I study it 3) I learn a martial art as I study it. Conlanging, I guess you might say that it is keeping my mind active and I'm learning some linguistic stuff... but really, I have no reason to do any of this stuff. I just...

I was thinking about my conlanging today, and specifically about how Yes and No are said in Reformed Pitak and Old Fauleethik, which is simply Sa and Ne, or Sau and Nei (or Saw and Nay to make pronunciation a little more clear). Now the interesting thing I was reflecting on was that I came up with these words a LONG time ago, way before I knew much about phonology, morphology, grammer, etc. But these words have survived through the various iterations and changes I've made over the years. I thought it might be interesting to recount to myself and for you how I've continually made changes and how these words have managed to remain unchanged. First of all, my phonology has never changed to a point where these sounds would not be allowed, but if it had, I could have just changed a vowel or a consonant and moved on. Second, as I began developing my morphology for words, I had decided that, in Pitak, words ending in -a are generally verbs in the present tense. But, verbs usually...

I was working on my fonts for my conlang again and I starting thinking about alphabets in general, and I thought it would be fun to do a post on Tolkien's Middle Earth alphabets, Cirth and Tengwar. First, let's take a look at Cirth , which was used to write Khuzdul, the dwarvish language, as well as Quenya and Sindarin, the elvish languages. It was based on the Norse & Anglo-Saxon Futhark runes. There's nothing very fancy about this alphabet, it functions much the same as our own; each glyph represent one character. But note that the different letters correspond to each other in certain ways: letters that are phonetically close to each other look similar. P and B, for example. B is pretty much the "voiced" form of P (voiced means that your vocal chords are engaged and vibrating). B looks just like P but its got that extra little stroke sticking out there, making it look like an R. Same thing for T and D, and K and G. And those are just the plosives; lo...

Today I wanted to talk about vowels. More specifically, how vowel sounds combine. Combining vowel sounds creates diphthongs; thats the basic definition of a diphthong . But, there is another category, and its used a lot in English. Its called a "semi-vowel" and it includes letters like r, w, and y. This took me a second to wrap my head around, because I'd always thought of w and r, and, to a lesser extent, y, as consonants. But think about it- a consonant is a sound we make by impeding the flow of air through our mouths (p, m, s, b, z, even h , a little), but you're not really putting your tongue anywhere when you make an r. You could argue that you use your lips to shape a "w" sound, but when you sound it out, its pretty obvious that w is pretty much an "oo" sound combined with whatever is before or after it (row, water, coward). So my amateur-linguist definition of a semi-vowel is: a diphthong or vowel sound that is used as a consonant. This ...

I just got a nice comment from another conlanging blogger that has nudged me back into action! I was just working on translating random phrases I thought of or saw around the house this past weekend so I thought it would be fun to post some translations and explain more about how Pitak works (for now, at least). I'm doing it in the same format Arne Duering posts to her blogs (check out his blogs for some interesting conlangs!), because I think its more interesting than posting sentences and then translated sentences, and helps you understand the mechanics of a conlang better. It can also help you make devastatingly accurate and, hopefully, helpful, criticism, so be kind . ;) A pasu fe wiki so napaku sa A= the pasu= past (descriptive case) fe= two (or few) wiki= weeks (plural case) so= were (is; past tense case) na-= most paku= packed (descriptive case) sa= being (is; present tense case) The past few weeks have been completely packed. Mi waf i li tasu muvo, en papu pol lafa lu f...

So I wanted to pick up where I left off on the last post before Christmas, and talk about syntax and grammer a bit. " Fa meshsak sosha o kulntht to tisiks afshra pefsi. " This pancake is going from zero to sixty within five seconds. Or, more literally, This pancake is going from stop until sixty within five. We're going to break this sentence down and figure out how you can construct grammer and syntax. Syntax could be defined simply as how words are ordered in a sentence. In English, we describe nouns with adjectives, or tell what the noun is, like so: "the bright room," "the room was bright," "the smooth, round ball," "the ball was smooth and round." In the case of "the room was bright," the room is the subject, was is the verb, and the brightness is the object. English is a SVO language, meaning that the ordering of the subject, verb and object are respectively, first, second, and third. In an SOV language, the sen...

After reading Rick Morneau 's wonderful summary of morphology for the umpteenth time, I thought I should write a post, in my words, about the relationship between phonology and morphology, or phonotactics. I think once this relationship is understood better, it makes your conlanging more enjoyable and quicker. A quick and dirty definition of phonology is that it is the sounds permitted in your conlang. Anything not in your phonology, speakers of that language would have a hard time saying (kind of like how Japanese are famous for speaking Ls like Rs). Lets break down the phonemes of your language into a few categories: consonants, clusters, vowels and semi-vowels. Just these four categories, for now. In fact, lets make up a phonology for the purposes of this post. P, t, k, f, th, s, sh, m, n, r and l for consonants. Ee, ei, au, oo, and o for vowels. 11 consonants, 5 vowels. Now, phonotactics. Lets keep explanations, and these phonotactic rules, simple. The phonology shoul...