Make A Lang

I've posted about this before and made more progress, so this is an updated report about how my orthography has evolved since I made three posts about it at the end of '07, and things you might consider as you develop your own orthography. I just couldn't leave well enough alone. I had my orthography, it worked, but each time I looked at it, there was still something that bothered me - ome little nagging itch in the back of my brain somewhere. So one day as I was sitting in a meeting, I starting listening to my itch to see what where it lead. Now these are little things, but maybe something I learned will benefit you, too. So here is the alphabet I had settled on previously: This font, you might notice, is extremely light compared to the English letters. I realized quickly that I should make the letters thicker, but this change could wait. An item of interest: the Pitak characters have thicker horizontal strokes than vertical strokes. I thought it would be interest...

I was working on my fonts for my conlang again and I starting thinking about alphabets in general, and I thought it would be fun to do a post on Tolkien's Middle Earth alphabets, Cirth and Tengwar. First, let's take a look at Cirth , which was used to write Khuzdul, the dwarvish language, as well as Quenya and Sindarin, the elvish languages. It was based on the Norse & Anglo-Saxon Futhark runes. There's nothing very fancy about this alphabet, it functions much the same as our own; each glyph represent one character. But note that the different letters correspond to each other in certain ways: letters that are phonetically close to each other look similar. P and B, for example. B is pretty much the "voiced" form of P (voiced means that your vocal chords are engaged and vibrating). B looks just like P but its got that extra little stroke sticking out there, making it look like an R. Same thing for T and D, and K and G. And those are just the plosives; lo...