Make A Lang

Part One , this is Part Two, Part Three So once I had my design principles, and I had decided what alphabets to use as inspiration, I just started copying the characters that I liked, and I started playing with them. I'd flip them around, I'd change a stroke or two, and I'd improvise. I'll post a page or two of some of these ramblings. Basically, whenever I was in a meeting, going somewhere on BART, whenever I was sitting and getting bored, the notebook came out and I started to doodle. After I fooled around with the characters, I'd come back to the design principles. I liked the curves and angles of Tibetan, but if I was going to integrate the D'Ni design of combined simple strokes, Georgian was better for inspiring simple strokes that could be combined. But as I played with the characters, and tried to see how many characters I could make that I liked the look of, and that reflected the design principles... I wasn't liking the results. I didn'...

This is Part One, Part Two , Part Three The idea of making up my own alphabet was probably the first thing that attracted me to conlanging. After I learned Bulgarian, I made up a code that was based on Cirth and Bulgarian . I sent my brother the code and would mail him letters using it, just for fun. I started thinking about developing a new alphabet later, when I was playing the Myst games, and I saw the flowing script of D'Ni  (D'Ni is a conlang Cyan/Richard Watson developed for their games and books). First things to consider as you start developing your alphabet - What do you want? a phonetic alphabet a non-phonetic alphabet (like English) or a syllable-based alphabet (meaning one character per syllable, like po, kee, ot, or kel, would be represented by one character/Tibetan is syllabic) or an abjad, which would be a consonant-only-alphabet, and all vowels would be represented by diacritic marks (Hebrew and Arabic are examples) A little research on Omniglot will...